Philip Norman was born in London and brought up on the Isle of Wight. He joined the Sunday Times at the age of twenty-two, soon gaining a reputation as Atticus columnist and for his profiles of figures as diverse as Elizabeth Taylor, P. G. Wodehouse, Little Richard and Colonel Gaddafi. In 1981 he published SHOUT! A ground-breaking biography of the Beatles that was a bestseller in both Britain and the US. He has also written the definitive lives of Sir Elton John and Buddy Holly.
Although he resists classification as a "rock biographer", a musical theme pervades almost all of Philip Norman's work. In 1983 he was named one of the twenty Best of Young British Novelists for his autobiographical novel THE SKATER'S WALTZ. His shorter fiction includes SPRING SONATA, a novella set in an Edwardian music hall, and WORDS OF LOVE, about Buddy Holly's last hours, which later became a successful television play. His journalism has been published in three collections, THE ROAD GOES ON FOREVER, TILT THE HOURGLASS AND BEGIN AGAIN, and THE AGE OF PARODY. His latest book is BABYCHAM NIGHT, a memoir of his childhood on the Isle of Wight.
Best known as the iconic lead vocalist of the Rolling Stones, Grammy-award winning Sir Mick Jagger has pushed the boundaries of rock music over five decades. In this authoritative biography, Philip Norman will tell the Mick Jagger's incredible story to the present day, covering both his early music career and well-documented personal life, through to the phenomenal success the Rolling Stones have continued to achieve in recent years, following their 40th anniversary tour and album. The book will be delivered in the summer of 2011.
'Reading this book brings the John Lennon I knew vividly back to life.' Bill Harry, founder of Mersey Beat Praise for Philip Norman: Shout!: 'This stands as the first (and still the best) collision of Beatles history and literary depth! just about everything is rendered with beautiful prose and laser-like insight' Q 'As beautiful and unsettling as any late Beatles record' Daily Express 'Conscientiously researched! his command of his material is faultless' George Melly, Observer 'This impressive and highly readable book' Sunday Times. Music book of the year, Sunday Times.
Comprehensive biography of the Beatles' most outspoken and controversial member, whose murder by a demented fan in 1980 only added to his legacy.Norman wrote one of the first and still one of the best Beatles histories (Shout!, 1981), and though he claims to have corrected many "inaccuracies and misjudgments" from that earlier work, there just isn't much new to say about the group's historic, hysterical popularity or John Lennon's role in it. The author, who is also a veteran novelist (Everyone's Gone to the Moon, 1996, etc.), tries to compensate by giving an in-depth account of Lennon's early years, stressing the lifelong rage and fear of abandonment instilled by familial instability. He was raised by his Aunt Mimi after his father left, while his mother Julia lived nearby with her lover. Lennon was traumatized by Julia's death in 1958, when he was 17. Norman takes a long time to get to the formation of the Beatles; the extraordinary songwriting partnership with Paul McCartney (who gets kinder assessment here than in Shout!); the group's seasoning in the tawdry clubs of Hamburg; their first taste of the mania they inspired in female fans when they played Liverpool's Cavern club in 1961; their breakthrough into national stardom thanks to manager Brian Epstein's and record producer George Martin's nurturing of their talent; the paradigm-shattering American tour of 1964; and the rest of the familiar tale, retold here with care but little passion. The author is frank enough about Lennon's insecurities and capacity for cruelty to have alienated his widow, Yoko Ono, who initially cooperated with Norman but withdrew her endorsement after reading the manuscript, concluding it was "mean to John." It isn't. Norman's fully three-dimensional portrait has no evident axe to grind, but it's also hard to tell why he bothered. He's particularly perfunctory with the post-Beatle years, evincing respect but no real affinity for Lennon's political radicalism and avant-garde adventures with Ono.